Beauty is everywhere in the three parks the Friends of the Public Garden work with the City to care for. We often see the beauty in the natural features of these greenspaces, but public art also calls one’s attention. The art caught Tim Mitchell’s eye and continues to attract this architect and ceramics sculptor to the Boston Common, Public Garden and Commonwealth Avenue Mall. He found out about the Friends through the Neighborhood Association of Back Bay (NABB), and has been a member for at least twenty years. When asked why someone might consider joining the Friends his answer is simple, “You should not just join, but also get actively involved in a specific project.” That is exactly what he did. Tim has served on our Board of Directors and is currently the chair of our Sculpture Committee.
For Tim, the parks act as a creative inspiration that continue to capture and hold his attention. Everything about the art in them, from the artists and craftsmen, to the actual pieces and narratives that the objects evoke, is what give the parks special meaning for him.
He is currently completing a six-month body of sculpture using two kilns that are large tunnel-like structures representative of Japanese-style kilns called Anagama, one of which can load about 1,000 pieces at a time. In September he will start an artist residency with Watershed Center for Ceramic Arts in Newcastle, Maine. There he will work on a historic brick-making project and a related contemporary art expression.
Tim recently donated a piece of his work to the Friends online art auction. The jar wth lid is stoneware with shino glaze to the interior and wood-ash glaze marks to the exterior. The lid is made of wood taken from one of the Robert Gould Shaw Memorial elm trees, across from the Massachusetts State House, during a preservation pruning on December 13, 2014.
Tim says if there is one thing people should know about the Friends of the Public Garden it would be the advocacy we do for all three parks, not just the Public Garden. He says people may also be surprised by the art in the parks, its “magnitude and provenance, all public…24/7.”